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    Interviews — Interviews

    Between two Tom's with Tom & Tom from Idle Threat

    Between two Tom's with Tom & Tom from Idle Threat

    For this one, I've renamed the segment for obvious reasons. They are in a righteous Sydney band (my home town, yeah) called Idle Threat. If you like melodic/technical punk like A Wilhelm Scream, No Trigger, Propagandhi and Strike Anywhere, go wrap your ears around them on bandcamp. They've put out an album and are apparently done with a new EP produced by Jay Frenzal. Ideally, this would've coincided with that release, but i can't keep waiting forever, so here's some questions they answered.

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    Five For Five with Brian McTernan of Be Well

    Five For Five with Brian McTernan of Be Well

    Well, this is definitely a "holyshit" moment if ever there was one. Be Well, comprised of Brian McTernan (Battery/producer of the most classic records in hardcore), Aaron Dalbec (Bane, Only Crime, Converge), Mike Schleibaum (Darkest Hour) & Peter Tsouras & Shane Johnson (both of Fairweather) have come together to create emotionally charged, melodic hardcore tunes, that remind me, anyway of bands like Culture, Turning Point and, of course, Battery.

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    Five For Five with Émilie Plamondon

    Five For Five with Émilie Plamondon

    Emilie is a Radio Host, singer/songwriter and vinyl enthusiast, and has probably the best collection of cut-off band shirts i've ever seen. She's from Canada, and she's super cool for taking part in this series. 

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    Five for Five with Rejection Pact

    Five for Five with Rejection Pact

    The current breed of hardcore is absolutely insane at the minute. I admit, i slept on Rejection Pact (and to be honest, a whole lot of other good shit) due to my inability to stop listening to their label-mates Time & Pressure's new album, but holyshit is their new 7 Inch a cracker. Taking influences from mid-late 00's hardcore bands like Carry On Modern Life Is War & Youth Crew in the vein of Battery & Gorilla Biscuits they've managed to carve out a unique niche in the scene. 

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